Danez Smith’s anthology Don’t Call Us Dead highlights the political, LBGTQ+, HIV/aids, and police brutality issues in the black community that he himself has experienced and paints a picture of.
During Smith’s online reading he speaks about how in many places in his book the idea of black boys being able to be free is brought up a lot, the poem Dinosaurs In The Hood highlights this idea so strongly. Smith speaks about how the first scene of a movie he created in his imagination should be “a little black boy…playing with a dinosaur on the bus” he then goes on to say “don’t let Tarantino direct this in his version the boy plays with a gun, the metaphor: black boys toy with their own lives the foreshadow to his end… no one kills the black boy, no one kills the black boy”. To me, those parts of this poem screamed how society wants black men to be seen as strong, manly, tough and to have no tears to cry hence why a white producer would let the opening scene to a made up movie about a little black boy holding a gun.
Smith talked about how black boys are not allowed to be kids they always have to be seen as the head of the household, cis, and misogynistic. Black men are not allowed by the people around them to be fluid with who they truly are, they are not allowed to be “soft” or show expression or to be happy. This also applies to the LGBTQ+ issue in the black community where black men aren’t allowed to be gay in peace and Smith highlights how even though their family still loves them there is still a piece of them that is not loved and is not accepted one of the poems he read that touches on what I feel is him speaking about what it was like to be black and either come out as gay or HIV positive to his relatives and what their reactions were to it is Every Day Is A Funeral & A Miracle. In the poem, Smith talks about how his mother in a sense thinks he is dead and is burying him herself saying “I miss you so much, my sweetest boy.” I think she’s saying in this poem she misses the old him before she knew he was gay and HIV positive Smith even goes on to write about how he did not want his grandmother to know he is gay and HIV positive:
“My grandma does not know,
so do not tell her
if you see her with this poem
burn it, burn her
burn whatever you must
how do you tell a woman
who pretends you are just
having trouble finding a wife
that once, twice daily, a man
enters you, how your blood
smells like a hospital, graveyard
or a morgue left in the sun
Although I have not finished reading this book in most parts it seems like Smith is literally in a way illustrating his feelings and thoughts in the most beautiful ways in his interview he states that many poems in his book are about him and took some time to be written due to the sensitivity of the topic and the harm it could have on his mental health.