Danez Smith’s anthology Don’t Call Us Dead highlights the
political, LBGTQ+, HIV/aids, and police
brutality issues in the black community
that he himself has experienced and paints
a picture of.
During Smith’s online reading he speaks about how in many places
in his book the idea of black boys being able to be free is brought up a lot, the
poem Dinosaurs In The Hood highlights this idea so strongly. Smith speaks about how the first scene of a movie he
created in his imagination should be “a little black boy…playing with a dinosaur
on the bus” he then goes on to say “don’t let Tarantino direct this in his version
the boy plays with a gun, the metaphor: black boys toy with their own lives the
foreshadow to his end… no one kills the black boy, no one kills the black boy”. To me,
those parts of this poem screamed how society wants black men to be seen as strong, manly, tough and to have no tears to cry hence why a white producer would let
the opening scene to a made up movie about a little black boy holding a gun.
Smith talked about how black boys are not allowed to be kids
they always have to be seen as the head
of the household, cis, and misogynistic.
Black men are not allowed by the people
around them to be fluid with who they truly
are, they are not allowed to be “soft” or
show expression or to be happy. This also
applies to the LGBTQ+ issue in the black community where black men aren’t allowed
to be gay in peace and Smith highlights how even though their family still loves
them there is still a piece of them that is not loved and is not accepted one of the poems he read that touches on what I
feel is him speaking about what it was like to be black and either come out as
gay or HIV positive to his relatives and what their reactions were to it is Every Day Is A Funeral & A Miracle.
In the poem, Smith talks about how his
mother in a sense thinks he is dead and
is burying him herself saying “I miss you
so much, my sweetest boy.” I think she’s saying in this poem
she misses the old him before she knew he was gay and HIV positive Smith even
goes on to write about how he did not want his grandmother to know he is gay
and HIV positive:
“My grandma does not know,
so do
not tell her
if you see her with this poem
burn it, burn her
burn whatever you must
how do you tell a woman
who pretends you are
just
having trouble
finding a wife
that once, twice daily, a man
enters you, how your blood
smells like a hospital, graveyard
or a morgue left in the sun
Although I have not finished reading
this book in most parts it seems like Smith is literally in a way illustrating
his feelings and thoughts in the most beautiful ways in his interview he states
that many poems in his book are about him and took some time to be written due
to the sensitivity of the topic and the harm it could have on his mental health.
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